Day 11

Mark Up Your Music Like a Pro

As an international examiner and well-known adjudicator, I’ve watched hundreds of students (of all ages) perform 🎻🎹🎺.

Want to know one of the biggest differences I see between students who play confidently 😌 and those who struggle 😬?

It’s not talent 🌟.
It’s not even how much they’ve practiced ⏰.
It’s what their music looks like πŸŽΌπŸ–ŠοΈ.

The students who perform well have music that’s covered in markings β€” fingerings, circled accidentals, highlighted dynamics, breath marks, notes about tricky bars. Their scores look well-used, well-loved, and well-understood.

The students who struggle often have pristine music 🧾. It looks like they’ve barely glanced at it πŸ‘€, let alone studied it πŸ“–.

Now, I know some of you are thinking, “But Fiona, I don’t like to write on my music. It makes it messy!” πŸ˜…

I hear this all the time. But here’s my question:
πŸ‘‰ Would you rather have tidy music that you can’t play, or marked-up music that helps you perform with confidence? πŸ’ͺ🎢

I thought so. πŸ˜‰

Marking up your music isn’t about creating a mess β€” it’s about creating a roadmap . And the more colour you use the better.

When you write things down, you’re helping your brain in two crucial ways:

1️⃣ The act of writing creates a stronger memory 🧠 β€” it’s called encoding.
2️⃣ Those visual cues πŸ‘οΈ during practice and performance guide you past potential pitfalls.

Think about learning to drive πŸš—. Remember those first few times? You probably talked yourself through everything:

“Check mirrors, indicate, look over shoulder…”
Eventually, those actions ‘mirror, signal, manoeuvre’ became automatic.
But in the learning phase, verbal reinforcement was essential.

It’s the same with music 🎡.
Writing fingerings, circling accidentals, and highlighting dynamics β€” these are your verbal reinforcements.

They help you during the learning phase until things become automatic.


🎯 Today’s Task (10 minutes):

Take the piece you’re currently working on and give it some love ❀️.
Here’s what to mark:

β€’ Circle or highlight ALL sharps and flats β€” especially accidentals that appear mid-bar (they’re the ones we always forget!)

β€’ Write in fingerings for any tricky passages or position changes

β€’ Highlight dynamic markings β€” use different colours if you have them.

β€’ Add breath marks or phrase marks where you need reminders

β€’ Circle any patterns you’ve spotted β€” scales, arpeggios, repeated sections


πŸŽ“ For Advanced Players:

Go deeper with your analysis:

β€’ Mark the chord progressions throughout the piece- and think about why those chords have been used. Perhaps the music is driving towards a cadence or changing mood.

β€’ Note the structure (ABA form, rondo, etc.)

β€’ Write in the technical focus for difficult sections (“relaxed wrist here” or “finger 4 stretches out”)

β€’ Add your musical intentions (“gentle,” “building tension,” “triumphant”)


If you genuinely can’t bear to write on your music, here are some creative solutions πŸ’‘:
πŸ“„ Put it in a clear plastic wallet and use dry-erase markers
πŸ–¨οΈ Photocopy it (make sure it’s legal to do so!)
πŸ“± Scan it and use a tablet with annotation software
πŸ—’οΈ Use sticky notes for temporary reminders

The goal is to make your music a living document, not a museum piece.
Your score should tell the story of your journey with this piece πŸ“–.

Trust me β€” that “messy” music is going to be your best friend when you’re performing at Christmas πŸŽ„πŸŽΆβ€οΈ

Happy marking!
β€” Fiona