Day 11
Mark Up Your Music Like a Pro
As an international examiner and well-known adjudicator, I’ve watched hundreds of students (of all ages) perform π»πΉπΊ.
Want to know one of the biggest differences I see between students who play confidently π and those who struggle π¬?
It’s not talent π.
It’s not even how much they’ve practiced β°.
It’s what their music looks like πΌποΈ.
The students who perform well have music that’s covered in markings β fingerings, circled accidentals, highlighted dynamics, breath marks, notes about tricky bars. Their scores look well-used, well-loved, and well-understood.
The students who struggle often have pristine music π§Ύ. It looks like they’ve barely glanced at it π, let alone studied it π.
Now, I know some of you are thinking, “But Fiona, I don’t like to write on my music. It makes it messy!” π
I hear this all the time. But here’s my question:
π Would you rather have tidy music that you can’t play, or marked-up music that helps you perform with confidence? πͺπΆ
I thought so. π
Marking up your music isn’t about creating a mess β it’s about creating a roadmap . And the more colour you use the better.
When you write things down, you’re helping your brain in two crucial ways:
1οΈβ£ The act of writing creates a stronger memory π§ β it’s called encoding.
2οΈβ£ Those visual cues ποΈ during practice and performance guide you past potential pitfalls.
Think about learning to drive π. Remember those first few times? You probably talked yourself through everything:
“Check mirrors, indicate, look over shoulder…”
Eventually, those actions ‘mirror, signal, manoeuvre’ became automatic.
But in the learning phase, verbal reinforcement was essential.
It’s the same with music π΅.
Writing fingerings, circling accidentals, and highlighting dynamics β these are your verbal reinforcements.
They help you during the learning phase until things become automatic.
π― Today’s Task (10 minutes):
Take the piece you’re currently working on and give it some love β€οΈ.
Here’s what to mark:
β’ Circle or highlight ALL sharps and flats β especially accidentals that appear mid-bar (theyβre the ones we always forget!)
β’ Write in fingerings for any tricky passages or position changes
β’ Highlight dynamic markings β use different colours if you have them.
β’ Add breath marks or phrase marks where you need reminders
β’ Circle any patterns you’ve spotted β scales, arpeggios, repeated sections
π For Advanced Players:
Go deeper with your analysis:
β’ Mark the chord progressions throughout the piece- and think about why those chords have been used. Perhaps the music is driving towards a cadence or changing mood.
β’ Note the structure (ABA form, rondo, etc.)
β’ Write in the technical focus for difficult sections (“relaxed wrist here” or “finger 4 stretches out”)
β’ Add your musical intentions (“gentle,” “building tension,” “triumphant”)
If you genuinely can’t bear to write on your music, here are some creative solutions π‘:
π Put it in a clear plastic wallet and use dry-erase markers
π¨οΈ Photocopy it (make sure itβs legal to do so!)
π± Scan it and use a tablet with annotation software
ποΈ Use sticky notes for temporary reminders
The goal is to make your music a living document, not a museum piece.
Your score should tell the story of your journey with this piece π.
Trust me β that “messy” music is going to be your best friend when you’re performing at Christmas ππΆβ€οΈ

Happy marking!
β Fiona